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The Oresteia in the arts and popular culture
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The Oresteia in the arts and popular culture : ウィキペディア英語版
The Oresteia in the arts and popular culture
Reflections of the Oresteia in the arts and popular culture show the influence of the classic trilogy of tragedies by Aeschylus.
==Opera, ballet and incidental music==

*Several composers have written musical treatments of all or part of Aeschylus's trilogy. From the late 19th century comes Sergey Taneyev's full-length opera ''Oresteia''. In the 20th century Soviet composer Yury Alexandrovich Falik composed a one-act ballet ''Oresteia''; Darius Milhaud supplied incidental music for the plays, the Vienese composer Ernst Krenek wrote ''Leben des Orest'' (The Life of Orestes) (1929), and Iannis Xenakis wrote at least three works for voices and instruments based on the trilogy. There is a one-act opera ''Il furore di Oreste'' by Flavio Testi (from ''The Libation Bearers'') and "Prologue", by Harrison Birtwistle (from ''Agamemnon''), for tenor and chamber ensemble. Mozart's opera ''Idomeneo'' features Electra as a major character. ''Elektra (opera)'' is a one-act opera by Richard Strauss, first performed at the Dresden State Opera on January 25, 1909. Choreographer Martha Graham created the evening-length dance drama ''Clytemnestra,'' in 1958, giving the ''Oresteia'' a feminist spin. In this version, the murdered queen recalls the events of the trilogy from her point of view, and is absolved of dishonor.

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